Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 91
... reader."5 Why should the author be bound to the tyrannical reader? In a time when to talk of the "reader" can no longer mean what it could still mean for Trollope, when to render your meaning without an effort to most readers might very ...
... reader."5 Why should the author be bound to the tyrannical reader? In a time when to talk of the "reader" can no longer mean what it could still mean for Trollope, when to render your meaning without an effort to most readers might very ...
Pagina 91
... reader . " Why should the author be bound to the tyrannical reader ? In a time when to talk of the " reader " can no longer mean what it could still mean for Trollope , when to render your meaning without an effort to most readers might ...
... reader . " Why should the author be bound to the tyrannical reader ? In a time when to talk of the " reader " can no longer mean what it could still mean for Trollope , when to render your meaning without an effort to most readers might ...
Pagina 302
... reader does quite half the labor . " 27 James is not thinking here simply of giving the reader a sense of his own cleverness . He is making his readers by forcing them onto a level of alertness that will allow for his most subtle ...
... reader does quite half the labor . " 27 James is not thinking here simply of giving the reader a sense of his own cleverness . He is making his readers by forcing them onto a level of alertness that will allow for his most subtle ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York