Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 41
... realism " the better the work . And yet Watt's constant criterion is the achieve- ment of realism . In his treatment of Fielding , for example , despite his repeated demurrer that Fielding's art requires less " formal realism " than ...
... realism " the better the work . And yet Watt's constant criterion is the achieve- ment of realism . In his treatment of Fielding , for example , despite his repeated demurrer that Fielding's art requires less " formal realism " than ...
Pagina 52
... realism , everything will be appearance and all appearances will be , or at least seem , equally valid . Thus , the réalisme brut de la sub- jectivité requires a temporal realism binding the author absolutely to the duration of events ...
... realism , everything will be appearance and all appearances will be , or at least seem , equally valid . Thus , the réalisme brut de la sub- jectivité requires a temporal realism binding the author absolutely to the duration of events ...
Pagina 57
... realism . A fully " open - ended " work could very well end with a resounding claim by an omniscient au- thor that ... realism as an end in itself - including most of the realisms discussed in this chapter - and those for whom realism is ...
... realism . A fully " open - ended " work could very well end with a resounding claim by an omniscient au- thor that ... realism as an end in itself - including most of the realisms discussed in this chapter - and those for whom realism is ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York