Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 50
... reality , including the complexities of mental and moral reality . He can therefore " intrude " into his most rigorously composed works - but only to perform certain very lim- ited tasks ( see below , pp . 58-59 ) . The program of Jean ...
... reality , including the complexities of mental and moral reality . He can therefore " intrude " into his most rigorously composed works - but only to perform certain very lim- ited tasks ( see below , pp . 58-59 ) . The program of Jean ...
Pagina 112
... reality . It was never as fruitful an idea in literature as it was in science . Now that the scientists have given up the claim that they are seeking one single formulation of a firmly constituted reality , unaffected by the limitations ...
... reality . It was never as fruitful an idea in literature as it was in science . Now that the scientists have given up the claim that they are seeking one single formulation of a firmly constituted reality , unaffected by the limitations ...
Pagina 128
... reality about prostitution , slums , or the wheat market or the psychological reality about Irish Jews or American psychopaths —many readers were so fascinated by the new sense of reality , quite aside from the appeal of the facts as ...
... reality about prostitution , slums , or the wheat market or the psychological reality about Irish Jews or American psychopaths —many readers were so fascinated by the new sense of reality , quite aside from the appeal of the facts as ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York