Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 216
... relationship with the reader . This in- terest certainly requires some explanation if we wish to claim that Tom Jones is a unified work of art and not half - novel , half - essay . We are now , reader , arrived at the last stage of our ...
... relationship with the reader . This in- terest certainly requires some explanation if we wish to claim that Tom Jones is a unified work of art and not half - novel , half - essay . We are now , reader , arrived at the last stage of our ...
Pagina 366
relationship . " 13 But before one has time to read “ The Pupil ” once again to see what has gone wrong , a new ... relations of artist and public and the history of those re- lations in the twentieth century - questions with which I do ...
relationship . " 13 But before one has time to read “ The Pupil ” once again to see what has gone wrong , a new ... relations of artist and public and the history of those re- lations in the twentieth century - questions with which I do ...
Pagina 451
... Relations , 149 ; see Summary Relativism , 131 , 134 Reliability , 4 ; see also Unreliability Reliable commentary , 168 ... relation of , to " essence , " 102-9 to reveal " psychic being , " 55 for reversals of " natural response , " 115 ...
... Relations , 149 ; see Summary Relativism , 131 , 134 Reliability , 4 ; see also Unreliability Reliable commentary , 168 ... relation of , to " essence , " 102-9 to reveal " psychic being , " 55 for reversals of " natural response , " 115 ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York