Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 274
whether a narrator is reliable or unreliable . At one extreme we find narrators whose every judgment is suspect ( the barber in “ Haircut " ; Jason in The Sound and the Fury ) . At the other are narrators scarcely distinguishable from ...
whether a narrator is reliable or unreliable . At one extreme we find narrators whose every judgment is suspect ( the barber in “ Haircut " ; Jason in The Sound and the Fury ) . At the other are narrators scarcely distinguishable from ...
Pagina 300
... reliable narrator intruded to explain the rather flat , comforting points about the writer that I have just made here . " SECRET COMMUNION " BETWEEN AUTHOR AND READER The effects of deliberate confusion require a nearly complete union ...
... reliable narrator intruded to explain the rather flat , comforting points about the writer that I have just made here . " SECRET COMMUNION " BETWEEN AUTHOR AND READER The effects of deliberate confusion require a nearly complete union ...
Pagina 451
... Narrator flawed ; see Inconscience ; Unreliability lucid , 46 ; see also Central intelligence third - person , 155 reliable , effects of authorial silence on , 274-77 Relations , 149 ; see Summary Relativism , 131 , 134 Reliability , 4 ...
... Narrator flawed ; see Inconscience ; Unreliability lucid , 46 ; see also Central intelligence third - person , 155 reliable , effects of authorial silence on , 274-77 Relations , 149 ; see Summary Relativism , 131 , 134 Reliability , 4 ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York