Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 16
... Representation of Reality in Western Literature [ Berne , 1946 ] , trans . Willard Trask [ Anchor Books ed . , 1957 ] , p . 193 ) . It is only on the level of the most general qualities , common to all the stories despite the differing ...
... Representation of Reality in Western Literature [ Berne , 1946 ] , trans . Willard Trask [ Anchor Books ed . , 1957 ] , p . 193 ) . It is only on the level of the most general qualities , common to all the stories despite the differing ...
Pagina 34
... representation of general nature " and Coleridge with his constant reference to the powers of the imagina- tion were at times fully as much practitioners of general criticism as the moderns who insist that the chief test of literature ...
... representation of general nature " and Coleridge with his constant reference to the powers of the imagina- tion were at times fully as much practitioners of general criticism as the moderns who insist that the chief test of literature ...
Pagina 96
... Representation of Reality in Western Literature , trans . Willard Trask ( Anchor Book ed . , 1957 ) , p . 486. See also R. G. Collingwood , The Principles of Art ( first pub . 1938 ; New York , 1958 ) : " ... the use of epithets in ...
... Representation of Reality in Western Literature , trans . Willard Trask ( Anchor Book ed . , 1957 ) , p . 486. See also R. G. Collingwood , The Principles of Art ( first pub . 1938 ; New York , 1958 ) : " ... the use of epithets in ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York