Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 34
... satire , epic , elegy , and so on . Though the types were often defined rather loosely , we can expect , in reading any critic before the Romantic period , a reference sooner or later to the peculiar demands of a more or less precisely ...
... satire , epic , elegy , and so on . Though the types were often defined rather loosely , we can expect , in reading any critic before the Romantic period , a reference sooner or later to the peculiar demands of a more or less precisely ...
Pagina 230
... satire , the action of Tristram in writing this book seems , like the great comic actions of Tom Jones or Don Quixote , to rise above any satirical intent , to exist ultimately as something to be enjoyed in its own right : the satire is ...
... satire , the action of Tristram in writing this book seems , like the great comic actions of Tom Jones or Don Quixote , to rise above any satirical intent , to exist ultimately as something to be enjoyed in its own right : the satire is ...
Pagina 240
... satire , 26 The most extreme form of this new burden on the reader comes whenever there is tension between the compassionate effect of inti- macy with a narrator or reflector and the distancing effect of char- acteristics we deplore ...
... satire , 26 The most extreme form of this new burden on the reader comes whenever there is tension between the compassionate effect of inti- macy with a narrator or reflector and the distancing effect of char- acteristics we deplore ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York