Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 107
... scene quoted is , in this respect , a necessary step in the chain of events . If Forster is to have his novel at all , this scene must occur . An alternative but not conflicting answer would deal with the reader's needs . Certain ...
... scene quoted is , in this respect , a necessary step in the chain of events . If Forster is to have his novel at all , this scene must occur . An alternative but not conflicting answer would deal with the reader's needs . Certain ...
Pagina 108
... scene , or something like it . And each stroke works out- ward upon us as it works internally . Yet it is obvious that even here rhetorical decisions in the nar- rower sense have played a part . Why is the scene so long and so vivid ...
... scene , or something like it . And each stroke works out- ward upon us as it works internally . Yet it is obvious that even here rhetorical decisions in the nar- rower sense have played a part . Why is the scene so long and so vivid ...
Pagina 154
... scene reported by Huck Finn and a scene reported by Poe's Montresor , we see that the quality of being " scenic " suggests very little about literary effect . And compare the delightful summary of twelve years given in two pages of Tom ...
... scene reported by Huck Finn and a scene reported by Poe's Montresor , we see that the quality of being " scenic " suggests very little about literary effect . And compare the delightful summary of twelve years given in two pages of Tom ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York