Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 51
... seems to leave characters genuinely free to face that chaos is tolerable ( pp . 102-22 ) . Sartre concludes by accusing Mauriac of " the sin of pride , ” a sin which seems to consist , in Sartre's formulation , of denying the complete ...
... seems to leave characters genuinely free to face that chaos is tolerable ( pp . 102-22 ) . Sartre concludes by accusing Mauriac of " the sin of pride , ” a sin which seems to consist , in Sartre's formulation , of denying the complete ...
Pagina 201
... seems ludi- crously exaggerated when read in extracts from Moby Dick but usually seems unobjectionable and appropriate in context , so this prose , bad as it seems in isolation , might in a proper setting be ac- ceptable . But the story ...
... seems ludi- crously exaggerated when read in extracts from Moby Dick but usually seems unobjectionable and appropriate in context , so this prose , bad as it seems in isolation , might in a proper setting be ac- ceptable . But the story ...
Pagina 203
... seems quite clear that I would not do so no matter what technique he used . Those of us who can remember a time when Poe was effective know how indispensable the heavy adjectives are . We can admit that mood - setting commentary , like ...
... seems quite clear that I would not do so no matter what technique he used . Those of us who can remember a time when Poe was effective know how indispensable the heavy adjectives are . We can admit that mood - setting commentary , like ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York