Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 62
... sensations and thoughts of the disintegrating husband in Jealousy , Robbe- Grillet can make us experience a concentration of sensation im- possible in any other mode.59 He has , in fact , added a new fillip to this effect ; by never ...
... sensations and thoughts of the disintegrating husband in Jealousy , Robbe- Grillet can make us experience a concentration of sensation im- possible in any other mode.59 He has , in fact , added a new fillip to this effect ; by never ...
Pagina 261
... sensation that declining life can need . There will be enough for every hope and every fear ; and though my attachment to none can equal that of a parent , it suits my ideas of comfort better than what is warmer and blinder . My nephews ...
... sensation that declining life can need . There will be enough for every hope and every fear ; and though my attachment to none can equal that of a parent , it suits my ideas of comfort better than what is warmer and blinder . My nephews ...
Pagina 451
... sensation , 56 of subject matter , 55-56 of technique , 57 temporal , 52 " Realisme brut de la subjectivité , " 52 Realisms classified , 54-60 Reality , illusion of , 254 Realization , 108-9 Redburn , distance in , 156 Redford , Grant ...
... sensation , 56 of subject matter , 55-56 of technique , 57 temporal , 52 " Realisme brut de la subjectivité , " 52 Realisms classified , 54-60 Reality , illusion of , 254 Realization , 108-9 Redburn , distance in , 156 Redford , Grant ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York