Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 108
... sense of the meaning of things , our interest in what is to happen to those we like and those we mistrust all spring out of this initial encounter . Dramatic necessity and rhetorical function seem , then , to be thoroughly united here ...
... sense of the meaning of things , our interest in what is to happen to those we like and those we mistrust all spring out of this initial encounter . Dramatic necessity and rhetorical function seem , then , to be thoroughly united here ...
Pagina 304
... sense of collusion against all those , whether in the story or out of it , who do not get that point Irony is always thus in part a device for excluding as well as for including , and those who are included , those who happen to have ...
... sense of collusion against all those , whether in the story or out of it , who do not get that point Irony is always thus in part a device for excluding as well as for including , and those who are included , those who happen to have ...
Pagina 358
... sense of her failure had produced a rare alteration in her , but I had been too full of stratagems and spoils to think of that . Now I took it in ; I can scarcely tell how it startled me . She stood in the middle of the room with a face ...
... sense of her failure had produced a rare alteration in her , but I had been too full of stratagems and spoils to think of that . Now I took it in ; I can scarcely tell how it startled me . She stood in the middle of the room with a face ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York