Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 185
... sensible is to be suspected and is of little worth- that's my opinion ! [ p . 407 ] . This apology goes on for two more pages . If simple clarity were the author's goal , it is far too long . But for emotional emphasis it is all ...
... sensible is to be suspected and is of little worth- that's my opinion ! [ p . 407 ] . This apology goes on for two more pages . If simple clarity were the author's goal , it is far too long . But for emotional emphasis it is all ...
Pagina 188
... friendliness , as of dwarfs shaking hands , was in the air . Both man and woman were at the height of their powers - sensible , honest , even subtle . They spoke the same language , and held the same opinions Author's Voice in Fiction 188.
... friendliness , as of dwarfs shaking hands , was in the air . Both man and woman were at the height of their powers - sensible , honest , even subtle . They spoke the same language , and held the same opinions Author's Voice in Fiction 188.
Pagina 257
... sensible man , " " always welcome " at Hartfield , or even that " Mr. Knightley , in fact , was one of the few people who could see faults in Emma Woodhouse , and the only one who ever told her of them . " But there are times when Emma ...
... sensible man , " " always welcome " at Hartfield , or even that " Mr. Knightley , in fact , was one of the few people who could see faults in Emma Woodhouse , and the only one who ever told her of them . " But there are times when Emma ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York