Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 31
... simple logical problem that the critic faces , though the solution to it is far from simple . Having derived a def- inition of a certain kind of novel , or of " the novel " as a certain kind of literature , or of " literature " as a ...
... simple logical problem that the critic faces , though the solution to it is far from simple . Having derived a def- inition of a certain kind of novel , or of " the novel " as a certain kind of literature , or of " literature " as a ...
Pagina 111
... simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their progress . " 24 Men in gen- eral will never cease to care about the two values of filial piety and respect ...
... simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their progress . " 24 Men in gen- eral will never cease to care about the two values of filial piety and respect ...
Pagina 136
... simple truth , and there is a pleasure from learning that the truth is not simple . Both are legiti- mate sources of literary effect , but they cannot both be realized to the full simultaneously . In this respect , as in all others ...
... simple truth , and there is a pleasure from learning that the truth is not simple . Both are legiti- mate sources of literary effect , but they cannot both be realized to the full simultaneously . In this respect , as in all others ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York