Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 8
... Sometimes , as we shall see in the next three chapters , the complex issues involved in this shift have been reduced to a convenient distinction between " showing , " which is artistic , and " telling , " which is inartistic . “ I shall ...
... Sometimes , as we shall see in the next three chapters , the complex issues involved in this shift have been reduced to a convenient distinction between " showing , " which is artistic , and " telling , " which is inartistic . “ I shall ...
Pagina 39
... sometimes claim , that in a sense the work has no existence in itself ; it may also be true , in one sense , that when any good novel is read successfully , the experiences of author and reader are indis- tinguishable . But critical ...
... sometimes claim , that in a sense the work has no existence in itself ; it may also be true , in one sense , that when any good novel is read successfully , the experiences of author and reader are indis- tinguishable . But critical ...
Pagina 160
... Sometimes it is almost impossible to infer whether or to what de- gree a narrator is fallible ; sometimes explicit corroborating or con- flicting testimony makes the inference easy . Support or correction differs radically , it should ...
... Sometimes it is almost impossible to infer whether or to what de- gree a narrator is fallible ; sometimes explicit corroborating or con- flicting testimony makes the inference easy . Support or correction differs radically , it should ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York