Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 63
... soul , deliberately not judged , deliberate- ly left unplaced , isolated from the rest of human experience . It is , thus , less closely related to the traditional forms of fiction than to lyric poetry.60 It would be mere foolishness to ...
... soul , deliberately not judged , deliberate- ly left unplaced , isolated from the rest of human experience . It is , thus , less closely related to the traditional forms of fiction than to lyric poetry.60 It would be mere foolishness to ...
Pagina 67
... soul . A surprising number of writers , even those who have thought of their writing as " self - expression , " have sought a freedom from the tyranny of subjectivity , echoing Goethe's claim that " Every healthy effort ... is directed ...
... soul . A surprising number of writers , even those who have thought of their writing as " self - expression , " have sought a freedom from the tyranny of subjectivity , echoing Goethe's claim that " Every healthy effort ... is directed ...
Pagina 200
... souls - men who thought little of a com- fortable home are seen painfully cobbling a shack of a few sticks and an old blanket to give themselves and their families a habitation in the wilderness of ruin . And for this shelter the ...
... souls - men who thought little of a com- fortable home are seen painfully cobbling a shack of a few sticks and an old blanket to give themselves and their families a habitation in the wilderness of ruin . And for this shelter the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York