Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 74
... speak of technique , then , we speak of nearly everything . For technique is the means by which the writer's experience , which is his subject matter , compels him to attend to it ; technique is the only means he has of discovering ...
... speak of technique , then , we speak of nearly everything . For technique is the means by which the writer's experience , which is his subject matter , compels him to attend to it ; technique is the only means he has of discovering ...
Pagina 93
... speak as little as possible in his own person . " But why , then , speak at all ? If Homer is better than the others for appearing rarely - though as we have seen already he appears far more often than Aristotle's comment would suggest ...
... speak as little as possible in his own person . " But why , then , speak at all ? If Homer is better than the others for appearing rarely - though as we have seen already he appears far more often than Aristotle's comment would suggest ...
Pagina 227
... speak , too Compact , Irregular , Abrupt and Singular " ( I , 398 ) . Like Tristram Shandy following his pen wherever it leads , he works " without premeditation , or design , the first word begets the second , and so to the end of the ...
... speak , too Compact , Irregular , Abrupt and Singular " ( I , 398 ) . Like Tristram Shandy following his pen wherever it leads , he works " without premeditation , or design , the first word begets the second , and so to the end of the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York