Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 174
... spirit [ Strether in The Ambassadors ] ; he could step forward and explain the restless appearance of the man's thought . But if he prefers the dramatic way , admittedly the more effective , there is nothing to prevent him from taking ...
... spirit [ Strether in The Ambassadors ] ; he could step forward and explain the restless appearance of the man's thought . But if he prefers the dramatic way , admittedly the more effective , there is nothing to prevent him from taking ...
Pagina 246
... spirit in which we laugh at our own faults - in a benign , forgiving spirit . We may be contemptible for doing so ; to persons without a sense of humor such laughter often seems a wicked escape . But self - love being what it is , we ...
... spirit in which we laugh at our own faults - in a benign , forgiving spirit . We may be contemptible for doing so ; to persons without a sense of humor such laughter often seems a wicked escape . But self - love being what it is , we ...
Pagina 359
... spirit of it for having laid in a large provision . That spirit kept me perpetual company and seemed to look out at me from the revived immortal face - in which all his genius shone - of the great poet who was my prompter . I had ...
... spirit of it for having laid in a large provision . That spirit kept me perpetual company and seemed to look out at me from the revived immortal face - in which all his genius shone - of the great poet who was my prompter . I had ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York