Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 26
... story is telling itself , please note . . . . It is dramatic telling - and it is the only kind of story - telling , speaking broadly , that editors want and will pay for .... In a word , " The story is Telling Itself . " 9 Unfortunately ...
... story is telling itself , please note . . . . It is dramatic telling - and it is the only kind of story - telling , speaking broadly , that editors want and will pay for .... In a word , " The story is Telling Itself . " 9 Unfortunately ...
Pagina 121
Wayne C. Booth. "story" to an analytical appreciation of "the story of one's story itself,"4 What he requires is intelligence, discrimination, and analytical interest, and although, as we have seen, he is willing to accept responsibility ...
Wayne C. Booth. "story" to an analytical appreciation of "the story of one's story itself,"4 What he requires is intelligence, discrimination, and analytical interest, and although, as we have seen, he is willing to accept responsibility ...
Pagina 341
... story of how it affects or is affected by an observer. One can see a new heroine emerging, for example, as he plans "The Impressions of a Cousin." The "Cousin" of the title is a young woman who relates the story (in the form of a ...
... story of how it affects or is affected by an observer. One can see a new heroine emerging, for example, as he plans "The Impressions of a Cousin." The "Cousin" of the title is a young woman who relates the story (in the form of a ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York