Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 245
... SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite almost crippling faults was primarily to use the heroine herself as a kind of narrator, though in third person, reporting on her own ...
... SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite almost crippling faults was primarily to use the heroine herself as a kind of narrator, though in third person, reporting on her own ...
Pagina 274
... SYMPATHY Perhaps the most important effect of traveling with a narrator who is unaccompanied by a helpful author is that of decreasing emotional distance . We have seen that much traditional com- mentary was used to increase sympathy or ...
... SYMPATHY Perhaps the most important effect of traveling with a narrator who is unaccompanied by a helpful author is that of decreasing emotional distance . We have seen that much traditional com- mentary was used to increase sympathy or ...
Pagina 281
... sympathy as could be , and his redeeming qualities are by no means strong enough to cancel , by themselves , our revulsion . Yet because we are absolutely bound to his experience , our sympathy is entirely with him . Whether we laugh at ...
... sympathy as could be , and his redeeming qualities are by no means strong enough to cancel , by themselves , our revulsion . Yet because we are absolutely bound to his experience , our sympathy is entirely with him . Whether we laugh at ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York