Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 68
... taste for the bright one ; because they both end in speculation . " Three decades later Flaubert recom- mended a similar neutrality to the novelist who would be a poet . For him the model is the attitude of the scientist . Once we have ...
... taste for the bright one ; because they both end in speculation . " Three decades later Flaubert recom- mended a similar neutrality to the novelist who would be a poet . For him the model is the attitude of the scientist . Once we have ...
Pagina 197
... taste many of the symbols em- ployed in modern fiction as a substitute for commentary are fully as obtrusive as the most direct commentary might be . One's taste changes in such matters , of course . At one time the invention of the ...
... taste many of the symbols em- ployed in modern fiction as a substitute for commentary are fully as obtrusive as the most direct commentary might be . One's taste changes in such matters , of course . At one time the invention of the ...
Pagina 259
... taste , " " tenderness , " " love , " " beauty . " " 10 9 The first two quotations are from Wilson's " A Long Talk about Jane Austen , " A Literary Chronicle : 1920-1950 ( New York , 1952 ) . The third is from Jane Austen , p . 206 . 10 ...
... taste , " " tenderness , " " love , " " beauty . " " 10 9 The first two quotations are from Wilson's " A Long Talk about Jane Austen , " A Literary Chronicle : 1920-1950 ( New York , 1952 ) . The third is from Jane Austen , p . 206 . 10 ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York