Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 74
... technique , then , we speak of nearly everything . For technique is the means by which the writer's experience , which is his subject matter , compels him to attend to it ; technique is the only means he has of discovering , exploring ...
... technique , then , we speak of nearly everything . For technique is the means by which the writer's experience , which is his subject matter , compels him to attend to it ; technique is the only means he has of discovering , exploring ...
Pagina 413
... Technique , " College English , XI ( March , 1950 ) , 308–17 . 175. BLACK , F. G. The Technique of Letter Fiction in English : 1740– 1800. Cambridge , Mass . , 1933 . 176 . The Epistolary Novel in the Late Eighteenth Century . Eugene ...
... Technique , " College English , XI ( March , 1950 ) , 308–17 . 175. BLACK , F. G. The Technique of Letter Fiction in English : 1740– 1800. Cambridge , Mass . , 1933 . 176 . The Epistolary Novel in the Late Eighteenth Century . Eugene ...
Pagina 449
... technique , 83 reader's , 119-47 true , 395 Obscurity , 301-4 Observer , 153-54 ; see also Reflector O'Connor ... technique in Boccaccio , chap . i as determining technique in Emma , 271 as determining technique in Tender Is the Night ...
... technique , 83 reader's , 119-47 true , 395 Obscurity , 301-4 Observer , 153-54 ; see also Reflector O'Connor ... technique in Boccaccio , chap . i as determining technique in Emma , 271 as determining technique in Tender Is the Night ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York