Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 2
... telling them what to think of the char- acters rather than letting the reader judge for himself or letting the characters do the telling about one another . I like to distinguish between novelists that tell and those [ like Henry James ] ...
... telling them what to think of the char- acters rather than letting the reader judge for himself or letting the characters do the telling about one another . I like to distinguish between novelists that tell and those [ like Henry James ] ...
Pagina 8
... telling , " which is inartistic . “ I shall not tell you anything , " says a fine young novelist in defense of his art . " I shall allow you to eavesdrop on my people , and some- times they will tell the truth and sometimes they will ...
... telling , " which is inartistic . “ I shall not tell you anything , " says a fine young novelist in defense of his art . " I shall allow you to eavesdrop on my people , and some- times they will tell the truth and sometimes they will ...
Pagina 20
... tell - his very choice of what he tells will betray him to the reader . He chooses to tell the tale of Odysseus rather than that of Circe or Polyphemus . He chooses to tell the cheerful tale of Monna and Federigo rather than a pathetic ...
... tell - his very choice of what he tells will betray him to the reader . He chooses to tell the tale of Odysseus rather than that of Circe or Polyphemus . He chooses to tell the cheerful tale of Monna and Federigo rather than a pathetic ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York