Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 60
... theoretical problem here ; his only problem is to learn his craft . Willing to work with many different forms of intensity , and preparations for intensity , he can , like Henry James , manipu- late his climaxes in recognition that ...
... theoretical problem here ; his only problem is to learn his craft . Willing to work with many different forms of intensity , and preparations for intensity , he can , like Henry James , manipu- late his climaxes in recognition that ...
Pagina 106
... theoretical considerations of the next section are directed . For now , it will be most useful to conclude with a drama- tized scene that might seem , on first reading , to be entirely pure . Early in Forster's A Passage to India Dr ...
... theoretical considerations of the next section are directed . For now , it will be most useful to conclude with a drama- tized scene that might seem , on first reading , to be entirely pure . Early in Forster's A Passage to India Dr ...
Pagina 460
... theoretical procedures without reference to their originals, the novels themselves. But he knows just about all the important critics of fiction, too, and is as wide and easy in his coverage of them. So his book should have a good ...
... theoretical procedures without reference to their originals, the novels themselves. But he knows just about all the important critics of fiction, too, and is as wide and easy in his coverage of them. So his book should have a good ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York