Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 63
... theory " or even a combination of theories that can be proved right or wrong ; it is an expression of what men of a given time have cared for most , and as such it cannot be attacked or defended with rational argument . One can show , I ...
... theory " or even a combination of theories that can be proved right or wrong ; it is an expression of what men of a given time have cared for most , and as such it cannot be attacked or defended with rational argument . One can show , I ...
Pagina 91
... THEORIES OF PURE ART The question cannot be answered by looking at the reader alone. Suspicion of the reader has usually been based on theories of pure art or pure poetry which demand that this, that, or the other element be purged in ...
... THEORIES OF PURE ART The question cannot be answered by looking at the reader alone. Suspicion of the reader has usually been based on theories of pure art or pure poetry which demand that this, that, or the other element be purged in ...
Pagina 335
... theory of esthetic " ( p . 68 ) . Though it might be argued that in the finished book he has cut out some of the negative elements , such as the " eloquent and arrogant peroration , " and has presented the pure theory in conversational ...
... theory of esthetic " ( p . 68 ) . Though it might be argued that in the finished book he has cut out some of the negative elements , such as the " eloquent and arrogant peroration , " and has presented the pure theory in conversational ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York