Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 214
... things as they never have been and never will be . " But her " strongest effort is to avoid any such arbitrary picture , and to give a faithful account of men and things as they have mirrored themselves in my mind . " Even if the mirror ...
... things as they never have been and never will be . " But her " strongest effort is to avoid any such arbitrary picture , and to give a faithful account of men and things as they have mirrored themselves in my mind . " Even if the mirror ...
Pagina 280
... things if James did not provide secret clues be- hind the observer's back , commenting through the unobtrusive style of the seemingly effaced author . The result , as many critics have pointed out , is a kind of double vision : we have ...
... things if James did not provide secret clues be- hind the observer's back , commenting through the unobtrusive style of the seemingly effaced author . The result , as many critics have pointed out , is a kind of double vision : we have ...
Pagina 291
... things past enabled me to escape out of the present . He alone had the power to make me recapture by- gone days , times past , which had always balked the efforts of my memory and my intelligence.12 This direct report on the discovery ...
... things past enabled me to escape out of the present . He alone had the power to make me recapture by- gone days , times past , which had always balked the efforts of my memory and my intelligence.12 This direct report on the discovery ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York