Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 53
Pagina
... thought of af- fecting a reader is an important one , but it must be kept separate from the question of whether an author's work , regardless of its source , communicates itself . The success of an author's rhetoric does not depend on ...
... thought of af- fecting a reader is an important one , but it must be kept separate from the question of whether an author's work , regardless of its source , communicates itself . The success of an author's rhetoric does not depend on ...
Pagina 247
... thoughts at face value . And we see her , thirty - eight chapters later , chastened to an admission of what we have known all along to be her true human need for ... thought about him she is misled . Knightley rebukes Distance in Emma 247.
... thoughts at face value . And we see her , thirty - eight chapters later , chastened to an admission of what we have known all along to be her true human need for ... thought about him she is misled . Knightley rebukes Distance in Emma 247.
Pagina 326
... thought previous critics somehow at fault for not having come to his inferences about the book . " By the way , I have no pa- tience with critics who say it is impossible ever to tell whether Joyce means a literary effect to be ironical ...
... thought previous critics somehow at fault for not having come to his inferences about the book . " By the way , I have no pa- tience with critics who say it is impossible ever to tell whether Joyce means a literary effect to be ironical ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York