Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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... tion of the difference between artists who consciously calculate and artists who simply express themselves with no thought of af- fecting a reader is an important one , but it must be kept separate from the question of whether an ...
... tion of the difference between artists who consciously calculate and artists who simply express themselves with no thought of af- fecting a reader is an important one , but it must be kept separate from the question of whether an ...
Pagina 328
... tion ? No two books could be further from each other than the two we envision here . There may be a sufficient core of what is simply interesting to salvage the book as a great work of the sensibility , but unless we are willing to ...
... tion ? No two books could be further from each other than the two we envision here . There may be a sufficient core of what is simply interesting to salvage the book as a great work of the sensibility , but unless we are willing to ...
Pagina 368
... tion of characterization . Hence the ambiguity : for with reference to the convention Bernard is despicable , whereas with reference to actuality he is ' better ' than the average pious citizen . And thus Farrell . . . can demand credit ...
... tion of characterization . Hence the ambiguity : for with reference to the convention Bernard is despicable , whereas with reference to actuality he is ' better ' than the average pious citizen . And thus Farrell . . . can demand credit ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York