Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 79
... treatise . " Though he is more aware than many have been that every novel implies " some theory of being , some metaphysic , " he demands that " the metaphysic must always subserve the artistic purpose beyond the artist's conscious aim ...
... treatise . " Though he is more aware than many have been that every novel implies " some theory of being , some metaphysic , " he demands that " the metaphysic must always subserve the artistic purpose beyond the artist's conscious aim ...
Pagina 126
... treatise which arouses our curiosity about an important question and the purely ratiocinative detective novel . Completion of qualities . - Most imaginative works , even those of a kind that might seem to be cognitive or didactic in the ...
... treatise which arouses our curiosity about an important question and the purely ratiocinative detective novel . Completion of qualities . - Most imaginative works , even those of a kind that might seem to be cognitive or didactic in the ...
Pagina 402
... Treatise on the Novel . London , 1947 . 50. LUBBOCK , PERCY . The Craft of Fiction . London , 1921 . The best introduction to James and his influence on technique . 51. Lukács , GYÖRGY . Studies in European Realism : A Sociological Sur ...
... Treatise on the Novel . London , 1947 . 50. LUBBOCK , PERCY . The Craft of Fiction . London , 1921 . The best introduction to James and his influence on technique . 51. Lukács , GYÖRGY . Studies in European Realism : A Sociological Sur ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York