The Rhetoric Of Fiction |
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Pagina 89
"TRUE ARTISTS WRITE ONLY FOR THEMSELVES" Rules about realistic works
and about objective authors lead naturally to the third kind, prescriptions about
readers. It is not, after all, only an image of himself that the author creates.
"TRUE ARTISTS WRITE ONLY FOR THEMSELVES" Rules about realistic works
and about objective authors lead naturally to the third kind, prescriptions about
readers. It is not, after all, only an image of himself that the author creates.
Pagina 177
MOLDING BELIEFS If all this is true of fact, it is even more true of evaluative
commentary. Indeed, most seeming facts carry, in fiction, a heavy load of
evaluation. They order in some way the importance of the parts; they work on the
beliefs of ...
MOLDING BELIEFS If all this is true of fact, it is even more true of evaluative
commentary. Indeed, most seeming facts carry, in fiction, a heavy load of
evaluation. They order in some way the importance of the parts; they work on the
beliefs of ...
Pagina 295
Wayne C. Booth. signs" telling the ultimate truth -about themselves, displaying
their "true profession and identity," Clamence says that his sign would be "a
double face, a charming Janus, and above it the motto of the house: 'Don't rely on
it.
Wayne C. Booth. signs" telling the ultimate truth -about themselves, displaying
their "true profession and identity," Clamence says that his sign would be "a
double face, a charming Janus, and above it the motto of the house: 'Don't rely on
it.
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Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics distance dramatic E. M. Forster effect Emma Emma's emotional Essays example experience explicit F. O. Matthiessen fact Faulkner faults feel Flaubert Frank Churchill George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judge judgment Kenyon Review kind Knightley literary literature London look matter means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person PMLA poetry Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion trans Tristram Shandy true truth unreliable unreliable narrators values write York
Informazioni bibliografiche
| Titolo | The Rhetoric Of Fiction |
| Autore | Wayne C. Booth |
| pubblicato | 1965 |
| Esporta citazione | BiBTeX EndNote RefMan |