Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 89
... TRUE ARTISTS WRITE ONLY FOR THEMSELVES " Rules about realistic works and about objective authors lead nat- urally to the third kind , prescriptions about readers ... True Art Ignores the Audience" "True Artists Write Only for Themselves"
... TRUE ARTISTS WRITE ONLY FOR THEMSELVES " Rules about realistic works and about objective authors lead nat- urally to the third kind , prescriptions about readers ... True Art Ignores the Audience" "True Artists Write Only for Themselves"
Pagina 177
MOLDING BELIEFS If all this is true of fact , it is even more true of evaluative com- mentary . Indeed , most seeming facts carry , in fiction , a heavy load of evaluation . They order in some way the importance of the parts ; they work ...
MOLDING BELIEFS If all this is true of fact , it is even more true of evaluative com- mentary . Indeed , most seeming facts carry , in fiction , a heavy load of evaluation . They order in some way the importance of the parts ; they work ...
Pagina 295
... true from the false in what I'm saying . I admit you are right . . . . You see , a person I knew used to divide ... true or false , tend toward the same conclusion ? Don't they all have the same meaning ? So what does it matter whether ...
... true from the false in what I'm saying . I admit you are right . . . . You see , a person I knew used to divide ... true or false , tend toward the same conclusion ? Don't they all have the same meaning ? So what does it matter whether ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York