Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 45
... unity , " " harmony , " " synthesis " -and this sometimes sounds like an end in itself . But it is always desired because only through unnatural ordering can art achieve an intensity not to be found in life . In- deed , he will ...
... unity , " " harmony , " " synthesis " -and this sometimes sounds like an end in itself . But it is always desired because only through unnatural ordering can art achieve an intensity not to be found in life . In- deed , he will ...
Pagina 229
... UNITY OF " TRISTRAM SHANDY " When we look at Tristram Shandy in the light of these traditions , we see that elements from all three help to hold it together : it has a kind of comic plot , though an " exploded " one ; it gives us a con ...
... UNITY OF " TRISTRAM SHANDY " When we look at Tristram Shandy in the light of these traditions , we see that elements from all three help to hold it together : it has a kind of comic plot , though an " exploded " one ; it gives us a con ...
Pagina 443
... unity , " 64 , 165 Freedom of characters , and technique , 51 Friedman , Melvin , 164 n . Friedman , Norman , 150 ( n . 2 ) , 330 ( n . 33 ) " Friends of the Friends , The , " 340 , 341- 42 Fry , Christopher , 10 Frye , Northrop , 37 ...
... unity , " 64 , 165 Freedom of characters , and technique , 51 Friedman , Melvin , 164 n . Friedman , Norman , 150 ( n . 2 ) , 330 ( n . 33 ) " Friends of the Friends , The , " 340 , 341- 42 Fry , Christopher , 10 Frye , Northrop , 37 ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York