Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 111
... universal and natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their ...
... universal and natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their ...
Pagina 368
... universal conven- tion of characterization . Hence the ambiguity : for with reference to the convention Bernard is despicable , whereas with reference to actuality he is ' better ' than the average pious citizen . And thus Farrell ...
... universal conven- tion of characterization . Hence the ambiguity : for with reference to the convention Bernard is despicable , whereas with reference to actuality he is ' better ' than the average pious citizen . And thus Farrell ...
Pagina 393
... universal standard of Moral Taste - even among Principled persons - to which a writer can appeal " ( Some Principles of Fiction [ London , 1953 ] , p . 110 ) . Alex Comfort , contrasting the traditional drama and the nineteenth ...
... universal standard of Moral Taste - even among Principled persons - to which a writer can appeal " ( Some Principles of Fiction [ London , 1953 ] , p . 110 ) . Alex Comfort , contrasting the traditional drama and the nineteenth ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York