Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 156
... narration , and in the face of inherent limitations in dramatized reliable narrators , it is hardly surprising that modern authors have experimented with unreliable narrators whose characteristics change in the course of the works they ...
... narration , and in the face of inherent limitations in dramatized reliable narrators , it is hardly surprising that modern authors have experimented with unreliable narrators whose characteristics change in the course of the works they ...
Pagina 159
... narrator unreliable . Nor is unreliability ordinarily a matter of lying , although deliberately de- ceptive narrators have been a major resource of some modern novel- ists ( Camus ' The Fall , Calder Willingham's Natural Child , etc ...
... narrator unreliable . Nor is unreliability ordinarily a matter of lying , although deliberately de- ceptive narrators have been a major resource of some modern novel- ists ( Camus ' The Fall , Calder Willingham's Natural Child , etc ...
Pagina 300
... narrators require of the reader may be as simple as those in Huckleberry Finn or as complicated as those required to make one's way through Ulysses with its many different narrators , most of them unreliable but no two in the same way ...
... narrators require of the reader may be as simple as those in Huckleberry Finn or as complicated as those required to make one's way through Ulysses with its many different narrators , most of them unreliable but no two in the same way ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York