Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 74
... word to word and line to line , that the author sees more deeply and judges more profoundly than his presented characters . But , though style is one of our main sources of insight into the au- thor's norms , in carrying such strong ...
... word to word and line to line , that the author sees more deeply and judges more profoundly than his presented characters . But , though style is one of our main sources of insight into the au- thor's norms , in carrying such strong ...
Pagina 162
... word to word and word to deed , then this is a relatively undramatic scene . On the other hand , an author can present a character in this lat- ter kind of dramatic relationship with the reader without involving that character in any ...
... word to word and word to deed , then this is a relatively undramatic scene . On the other hand , an author can present a character in this lat- ter kind of dramatic relationship with the reader without involving that character in any ...
Pagina 251
... words which could not but dwell with her . Yet she soon began to rejoice that she had heard them . They were of sobering tendency ; they al- layed agitation ; they composed , and consequently must make her happier . " And suddenly we ...
... words which could not but dwell with her . Yet she soon began to rejoice that she had heard them . They were of sobering tendency ; they al- layed agitation ; they composed , and consequently must make her happier . " And suddenly we ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York