Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 57
... writers , writers for whom the allegation of didacticism would be distressing , also treat realism as subordinate and func- tional to their special purposes . Much as Fielding and Dickens , Trollope and Thackeray may talk about their ...
... writers , writers for whom the allegation of didacticism would be distressing , also treat realism as subordinate and func- tional to their special purposes . Much as Fielding and Dickens , Trollope and Thackeray may talk about their ...
Pagina 90
... writers , and there are writers . . . . The novelist depends upon that relatively small audience which brings to reading a frame of ref- erence , a sophistication , a level of understanding not lower than the novelist's own . . . . I ...
... writers , and there are writers . . . . The novelist depends upon that relatively small audience which brings to reading a frame of ref- erence , a sophistication , a level of understanding not lower than the novelist's own . . . . I ...
Pagina 379
... writers of abandoning the "Judeo Christian tradition," and of forgetting that man "inhabits an orderly universe," that "his fundamental laws are commands of his Creator," and that he is "individual, responsible, guilty, redeemable." See ...
... writers of abandoning the "Judeo Christian tradition," and of forgetting that man "inhabits an orderly universe," that "his fundamental laws are commands of his Creator," and that he is "individual, responsible, guilty, redeemable." See ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York