The Complete Works of John Ruskin, Volume 27T. Y. Crowell, 1987 |
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Pagina 103
... Eastlake has approached it with more reverence , stripped it of its ex- aggeration , and shown the foundations for it in the fact that the Van Eycks , though they did not create the art , yet were the first to enable it for its function ...
... Eastlake has approached it with more reverence , stripped it of its ex- aggeration , and shown the foundations for it in the fact that the Van Eycks , though they did not create the art , yet were the first to enable it for its function ...
Pagina 105
... Eastlake's instances have been se- lected , for the most part , from four treatises , two of which , though in an imperfect form , have long been known to the public ; the third , translated by Mrs. Merrifield , is in course of ...
... Eastlake's instances have been se- lected , for the most part , from four treatises , two of which , though in an imperfect form , have long been known to the public ; the third , translated by Mrs. Merrifield , is in course of ...
Pagina 119
... East- lake's daring philology into regions poetical and planetary : - " Eustathius , a writer of the twelfth century , in his com- mentary on Homer , states that the Greeks of his day called ... EASTLAKE'S HISTORY OF OIL - PAINTING . 119.
... East- lake's daring philology into regions poetical and planetary : - " Eustathius , a writer of the twelfth century , in his com- mentary on Homer , states that the Greeks of his day called ... EASTLAKE'S HISTORY OF OIL - PAINTING . 119.
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Angelico angels architecture artists beauty believe blue brown century character chiaroscuro Christian color Crystal Palace dark delight drawing Eastlake effort English engraving Eraclius execution expression Eyck eyes fancy feeling Fra Angelico fresco gesso Giorgione Giottesque Giotto Gothic grace Greek ground hand heart heaven human imagination imitative instance intellect interest invention Italy J. M. W. TURNER kind labor least less light look Lord Lindsay Madonna masters means ment method mind modern nations nature ness never Niccola Pisano noble oil-painting once opaque Orcagna painter painting peculiar perfect perhaps Perugino picture practice Pre-Raphaelites present principles pure question Raphael reader Rembrandt respect Rubens SAMUEL PROUT sculpture seen sense sensual shade shadows spirit stone strange suppose teaching things thought tints tion Titian transparent true truth ture Turner varnish walls whole youth