The Complete Works of John Ruskin, Volume 27T. Y. Crowell, 1987 |
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Pagina 69
... in the small tempera series of the Academy of Florence , is usually divided exactly in half by the dark mass of her blue robe , falling in a vertical line . In consequence of this defect , the grace of Giotto's LORD LINDSAY'S 66 69 " " '
... in the small tempera series of the Academy of Florence , is usually divided exactly in half by the dark mass of her blue robe , falling in a vertical line . In consequence of this defect , the grace of Giotto's LORD LINDSAY'S 66 69 " " '
Pagina 90
... grace and gift of holiness were added , those of a fervent imagination , vivid invention , keen sense of loveliness in lines and colors , unwearied energy , and to all these gifts the crowning one of quietness of life and mind , while ...
... grace and gift of holiness were added , those of a fervent imagination , vivid invention , keen sense of loveliness in lines and colors , unwearied energy , and to all these gifts the crowning one of quietness of life and mind , while ...
Pagina 220
... grace . So that , to any spectator little inclined towards the praise of barren " uprightnesse , " and accustomed on the contrary to expect radiance in archangels , and grace in Madonnas , the first ef- fect of the design must be ...
... grace . So that , to any spectator little inclined towards the praise of barren " uprightnesse , " and accustomed on the contrary to expect radiance in archangels , and grace in Madonnas , the first ef- fect of the design must be ...
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Angelico angels architecture artists beauty believe blue brown century character chiaroscuro Christian color Crystal Palace dark delight drawing Eastlake effort English engraving Eraclius execution expression Eyck eyes fancy feeling Fra Angelico fresco gesso Giorgione Giottesque Giotto Gothic grace Greek ground hand heart heaven human imagination imitative instance intellect interest invention Italy J. M. W. TURNER kind labor least less light look Lord Lindsay Madonna masters means ment method mind modern nations nature ness never Niccola Pisano noble oil-painting once opaque Orcagna painter painting peculiar perfect perhaps Perugino picture practice Pre-Raphaelites present principles pure question Raphael reader Rembrandt respect Rubens SAMUEL PROUT sculpture seen sense sensual shade shadows spirit stone strange suppose teaching things thought tints tion Titian transparent true truth ture Turner varnish walls whole youth