The Complete Works of John Ruskin, Volume 27T. Y. Crowell, 1987 |
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Pagina 234
... tion granted to our best practical painter — a vagrant with harmonium — and yonder blackbirds and iridescent jackasses , to be harmonized thereby . 244. Our best painter ( among the living ) I say ; -no ques- tion has ever been of that ...
... tion granted to our best practical painter — a vagrant with harmonium — and yonder blackbirds and iridescent jackasses , to be harmonized thereby . 244. Our best painter ( among the living ) I say ; -no ques- tion has ever been of that ...
Pagina 238
... tion , true to an available degree , is within reach of my reader . 249. This sculpture is central in every respect ; being the last Florentine work in which the proper form of the Etrus- can tomb is preserved , and the first in which ...
... tion , true to an available degree , is within reach of my reader . 249. This sculpture is central in every respect ; being the last Florentine work in which the proper form of the Etrus- can tomb is preserved , and the first in which ...
Pagina 372
... tion , are , in point of Art , absolutely dead and harmful rub- bish . I cannot but think that the production of well - illus- trated classics would at least leave free of money - scathe , and in great honor , any publisher who ...
... tion , are , in point of Art , absolutely dead and harmful rub- bish . I cannot but think that the production of well - illus- trated classics would at least leave free of money - scathe , and in great honor , any publisher who ...
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Angelico angels architecture artists beauty believe blue brown century character chiaroscuro Christian color Crystal Palace dark delight drawing Eastlake effort English engraving Eraclius execution expression Eyck eyes fancy feeling Fra Angelico fresco gesso Giorgione Giottesque Giotto Gothic grace Greek ground hand heart heaven human imagination imitative instance intellect interest invention Italy J. M. W. TURNER kind labor least less light look Lord Lindsay Madonna masters means ment method mind modern nations nature ness never Niccola Pisano noble oil-painting once opaque Orcagna painter painting peculiar perfect perhaps Perugino picture practice Pre-Raphaelites present principles pure question Raphael reader Rembrandt respect Rubens SAMUEL PROUT sculpture seen sense sensual shade shadows spirit stone strange suppose teaching things thought tints tion Titian transparent true truth ture Turner varnish walls whole youth