Æsthetic AnalysisThomas Y. Crowell Company, 1963 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 57
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
Pagina 116
... distinguished from another , not all of them distinguished from what is noth- ing . For nothing , without restriction , means the absence of anything of any kind , and this is entirely unthinkable . Nothing , as significantly used in ...
... distinguished from another , not all of them distinguished from what is noth- ing . For nothing , without restriction , means the absence of anything of any kind , and this is entirely unthinkable . Nothing , as significantly used in ...
Pagina 207
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 : rela ...
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 : rela ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic æsthetic content apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length LIBRARIES PURDUE loudness means Mediant merely musical scale nature notes obvious octave one-two organism particular perception phatically physical pitch intervals pitch pattern pitch relations plain Polyclitus present processes PURDUE LIBRARIES qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant surface syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words