The Complete Works of Sir Joshua Reynolds, First President of the Royal Academy: With an Original Memoir, and Anecdotes of the Author : in Three VolumesT. M'Lean, 1824 |
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acquired admirable Albert Durer ancient Annibale Caracci appear artist attain attention called Carlo Maratti character Claude Lorrain colours composition considered contrary copy Correggio defects degree dignity DISCOURSE distinguished drapery drawing dress effect elegance endeavour equal excellencies exhibition expression favour figure genius give grace grandeur greatest habits history painting idea of beauty imagination imitation invention Johnson justly kind knowledge labour learned light Majesty manner masters means merit Michael Angelo mind modern Mount Edgecumbe nature never object observed occasion opinion ornaments painter painting particular passions Paul Veronese peculiar perfection Phidias picture portrait possessed Poussin practice precepts prejudices president principles produced profession Raffaelle reason Rembrandt respect Royal Academy Rubens Samuel Reynolds shadow Shakspeare simplicity Sir Joshua Reynolds style sublime suppose taste thing thought Tintoret tion Titian true truth Vandyck variety Venetian Venetian school Veronese whilst whole wish
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Pagina l - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart : To coxcombs averse, yet most civilly steering, When they judged without skill, he was still hard of hearing : When they talk'd of their Raphaels, Correggios, and stuff, He shifted his trumpet,* and only took snuff.
Pagina 48 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Pagina lxxvii - His talents of every kind — powerful from nature, and not meanly cultivated by...
Pagina xix - Notwithstanding my disappointment, I proceeded to copy some of those excellent works. I viewed them again and again ; I even affected to feel their merit, and to admire them, more than I really did.
Pagina 47 - By this means, he acquires a just idea of beautiful forms; he corrects Nature by herself, her imperfect state by her more perfect. His eye being enabled to distinguish the accidental deficiencies, excrescences, and deformities of things, from their general figures, he makes out an abstract idea of their forms more perfect than any one original...
Pagina 34 - You must have no dependence on your own genius. If you have great talents, industry will improve them ; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour: nothing is to be obtained without it...
Pagina xli - This guest of summer, The temple-haunting martlet, does approve, By his loved mansionry, that the heaven's breath Smells wooingly here. No jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle. Where they most breed and haunt, I have observed...
Pagina 79 - ... though his style is not so pure as that of many other of the Italian schools, yet there is a sort of senatorial dignity about him, which, however awkward in his imitators, seems to become him exceedingly. His portraits alone, from the nobleness and simplicity of character which he always gave them, will entitle him to the greatest respect, as he undoubtedly stands in the first rank in this branch of the art.
Pagina 51 - There is, likewise, a kind of symmetry, or proportion, which may properly be said to belong to deformity. A figure lean or corpulent, tall or short, though deviating from beauty, may still have a certain union of the various parts, which may contribute to make them on the whole not unpleasing.
Pagina 190 - What is done by Painting, must be done at one blow; curiosity has received at once all the satisfaction it can ever have. There are, however, other intellectual qualities and dispositions which the Painter can satisfy and affect as powerfully as the poet: among those we may reckon our love of novelty, variety, and contrast; these qualities, on examination, will be found to refer to a certain activity and restlessness which...