Æsthetic as Science of Expression and General LinguisticFarrar, Straus and Giroux, 1970 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 242
... fine arts are directed towards making a true imitation of nature rather than towards loveliness . Their first steps are towards expression rather than charm . . . . In the most ancient poetry , even in the ballads of barbarous ages ...
... fine arts are directed towards making a true imitation of nature rather than towards loveliness . Their first steps are towards expression rather than charm . . . . In the most ancient poetry , even in the ballads of barbarous ages ...
Pagina 248
... Fine Arts , in alphabetical order , with historical notes upon each article , which were greatly enlarged in the second edition of 1792 , edited by a retired Prussian captain , von Blankenburg.1 In 1799 , one J. Koller published a first ...
... Fine Arts , in alphabetical order , with historical notes upon each article , which were greatly enlarged in the second edition of 1792 , edited by a retired Prussian captain , von Blankenburg.1 In 1799 , one J. Koller published a first ...
Pagina 264
... fine internal sense free from all intentions or passions of instinct , inclination or pleasure . Having asserted beauty to be something supersensible , it is not surprising that Winckelmann should wish , if not wholly to exclude colour ...
... fine internal sense free from all intentions or passions of instinct , inclination or pleasure . Having asserted beauty to be something supersensible , it is not surprising that Winckelmann should wish , if not wholly to exclude colour ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers