Æsthetic as Science of Expression and General LinguisticFarrar, Straus and Giroux, 1970 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 426
... ancient , as we have seen ; and equally ancient is the style of exposition , consisting in the doctrine of a double form and the concept of ornate form . Concept of ornament . 4 " " The concept of ornament must have occurred ...
... ancient , as we have seen ; and equally ancient is the style of exposition , consisting in the doctrine of a double form and the concept of ornate form . Concept of ornament . 4 " " The concept of ornament must have occurred ...
Pagina 430
... ancient Rhetoric left the theory of ornament unassailed . Vives lamented over the " exaggerated subtlety of the Greeks " which had multiplied distinctions to infinity in this matter without diffusing light , but he never took up a ...
... ancient Rhetoric left the theory of ornament unassailed . Vives lamented over the " exaggerated subtlety of the Greeks " which had multiplied distinctions to infinity in this matter without diffusing light , but he never took up a ...
Pagina 472
... ancient " and " modern " as equivalent to ingenuous and sentimental he did not mean to deny that some " ancient " poets , in his sense of the word , could be found among contemporary writers ; the two characters might even be united in ...
... ancient " and " modern " as equivalent to ingenuous and sentimental he did not mean to deny that some " ancient " poets , in his sense of the word , could be found among contemporary writers ; the two characters might even be united in ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers