Æsthetic as Science of Expression and General LinguisticFarrar, Straus and Giroux, 1970 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 270
... ideal beauty is the prin- ciple of art , and that expression has only a secondary place , above which it must not rise for fear of disturbing ideal beauty . For the ideal he substituted the character- istic , as a principle to be ...
... ideal beauty is the prin- ciple of art , and that expression has only a secondary place , above which it must not rise for fear of disturbing ideal beauty . For the ideal he substituted the character- istic , as a principle to be ...
Pagina 320
... ideal , that which would have been produced by nature , had she not been pre- vented by mechanical forces ; others reject the ideal as incapable of realisation and prefer that the artist should depict man as he really is , with those ...
... ideal , that which would have been produced by nature , had she not been pre- vented by mechanical forces ; others reject the ideal as incapable of realisation and prefer that the artist should depict man as he really is , with those ...
Pagina 377
... ideal , but the concrete ideal ; this is why there is no ideal of a human body in abstraction from sex , no ideal of a mammal in general , but only of such and such species , as of horse or dog , and then only of determinate kind of ...
... ideal , but the concrete ideal ; this is why there is no ideal of a human body in abstraction from sex , no ideal of a mammal in general , but only of such and such species , as of horse or dog , and then only of determinate kind of ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers