OUP Oxford, 2 apr 1998 - 368 pagine
Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem `mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this critical edition selects twenty-four tales and places the most popular — 'The Pit and the Pendulum', `The Fall of the House of Usher', `The Masque of the Red Death', `The Murders in the Rue Morgue, and `The Purloined Letter' — alongside less well-known travel narratives, metaphysical essays, and political satires.
Cosa dicono le persone - Scrivi una recensione
LibraryThing ReviewRecensione dell'utente - SuzOls - LibraryThing
Edgar Allen Poe spent the first three years of his life watching his mother die eight times a week. Perhaps this can account for the persistent macabre of his writing. His mother was an actress, he ... Leggi recensione completa
LibraryThing ReviewRecensione dell'utente - defrog - LibraryThing
It’s Poe, so you know the deal. As usual, the horror stories are the best. And credit to Poe for inventing the detective genre with Murders in The Rue Morgue, though the other two stories with the ... Leggi recensione completa