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Aretino as the Poet of Titians Portraits
The Image of Aretino in Titians Paintings
The Portraits of the Duke and Duchess of Urbino
Pope Paul III The Problem of Likeness
Charles V The Concetto of the Emperor
Pittore Divino Aretino on Titians SelfPortrait
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Apelles appears Aretino's letters armor artists associated attention background beauty called Chapter character Charles cinquecento color commissioned concetto considered contemporary convey della depicted described detail Dialogo discussion divine Dolce drawing duke duke's earlier early emperor example expressed eyes face figure Florence Francesco further gesture Giovanni Giovio hand head History holding imperial important included influenced Italian Italy Jesus known later living London look means mentioned Michelangelo nature noted painter painting Panofsky Paul person Pietro Aretino Pilate pittura Pope portraiture pose praise presented prince probably Problems published Quoted Raphael's references reflected remarks Renaissance rendered represented reveal rhetoric Roman Rome rulers Saint seems seen shown shows significance sitter's sonnet specific suggests Titian Titian's portraits Tiziano tradition trans translation treatise turn University Press Urbino Vasari Venice writing written wrote York
Pagina xv - Giorgio Vasari, The Lives of the Painters, Sculptors, and Architects, trans. AB Hinds, 4 vols. (London: Dent; New York: Dutton, 1927), vol. 1, pp. 319-320; Vespasiano da Bisticci, Memoirs, pp. 37-38; EH Gombrich, "The Early Medici as Patrons of Art," in Italian Renaissance Studies: A Tribute to the Late Cecilia M.
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Queenship and Political Power in Medieval and Early Modern Spain
Anteprima non disponibile - 2005