A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 312
... ANDREW CECIL BRADLEY : Poetry for Poetry's Sake . From Oxford Lectures on Poetry . 3. DEWITT H. PARKER : The Problem of Esthetic Form . From The Analysis of Art . 4. D. W. GOTSHALK : Type Designs . From Art and the Social Order ...
... ANDREW CECIL BRADLEY : Poetry for Poetry's Sake . From Oxford Lectures on Poetry . 3. DEWITT H. PARKER : The Problem of Esthetic Form . From The Analysis of Art . 4. D. W. GOTSHALK : Type Designs . From Art and the Social Order ...
Pagina 335
An Anthology Melvin Miller Rader ... ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
An Anthology Melvin Miller Rader ... ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
Pagina 343
... c . • What is here called " substance " is what people generally mean when they use the word " subject " and insist on the value of the subject . I am not arguing against this usage , or in favor of the usage ... ANDREW CECIL BRADLEY 343.
... c . • What is here called " substance " is what people generally mean when they use the word " subject " and insist on the value of the subject . I am not arguing against this usage , or in favor of the usage ... ANDREW CECIL BRADLEY 343.
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words