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Pagina 3
In the history of Western thought, the two most influential treatments of this theme
are the theory of "imitation," enunciated by Plato and Aristotle, and the theory of "
imagination," formulated by Coleridge and other romanticists. The theory of ...
In the history of Western thought, the two most influential treatments of this theme
are the theory of "imitation," enunciated by Plato and Aristotle, and the theory of "
imagination," formulated by Coleridge and other romanticists. The theory of ...
Pagina 5
With its emphasis upon order and intelligibility, this theory is akin to Aristotle's
doctrine of imitation. In the latter part of the selection from Maritain's book, he
explains that art may be said to imitate the forms of things, but its function is to
delight ...
With its emphasis upon order and intelligibility, this theory is akin to Aristotle's
doctrine of imitation. In the latter part of the selection from Maritain's book, he
explains that art may be said to imitate the forms of things, but its function is to
delight ...
Pagina 575
By water, Ingram, Aristotle on the Art of Poetry, Oxford, 1909. Callahan, J. L., A
Theory of Esthetic According to the Principles of St. Thomas Aquinas,
Washington, 1927. Collingwood, R. G., The Principles of Art, Oxford, 1938, Ch. 3.
By water, Ingram, Aristotle on the Art of Poetry, Oxford, 1909. Callahan, J. L., A
Theory of Esthetic According to the Principles of St. Thomas Aquinas,
Washington, 1927. Collingwood, R. G., The Principles of Art, Oxford, 1938, Ch. 3.
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words