A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina iv
... Benedetto Croce , 1915 . The Macmillan Company : Esthetic ( second edition ) , by Benedetto Croce , 1922 ; Laughter , by Henri Bergson , 1913 ; Three Lectures on Esthetic , by Bernard Bosanquet , 1915 ; Oxford Lectures on Poetry , by ...
... Benedetto Croce , 1915 . The Macmillan Company : Esthetic ( second edition ) , by Benedetto Croce , 1922 ; Laughter , by Henri Bergson , 1913 ; Three Lectures on Esthetic , by Bernard Bosanquet , 1915 ; Oxford Lectures on Poetry , by ...
Pagina 89
... BENEDETTO CROCE ( 1866-1952 ) , the most famous Italian philosopher of this century , has been especially influential in esthetics . In contending that art is necessarily imagi- native , he is akin to Read and Fry ; in asserting that ...
... BENEDETTO CROCE ( 1866-1952 ) , the most famous Italian philosopher of this century , has been especially influential in esthetics . In contending that art is necessarily imagi- native , he is akin to Read and Fry ; in asserting that ...
Pagina 578
... Croce that communica- tion is essential to art ) . Bergson , Henri , Laughter : An Essay on the Meaning of the Comic ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , What is Beauty ?, Oxford , 1932 ...
... Croce that communica- tion is essential to art ) . Bergson , Henri , Laughter : An Essay on the Meaning of the Comic ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , What is Beauty ?, Oxford , 1932 ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words