A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 129
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more ...
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more ...
Pagina 597
... Dionysian art , xxi , 129 appreciations , art as language of ( see also description ) , xv - xix architecture , 30 , 359 , 360 , 362 , 415- 416 aristocratic art , 432-433 , 450 Aristotle , 3-4 , 5 , 15-16 , 17 , 306 , 343 , 401 , 416 ...
... Dionysian art , xxi , 129 appreciations , art as language of ( see also description ) , xv - xix architecture , 30 , 359 , 360 , 362 , 415- 416 aristocratic art , 432-433 , 450 Aristotle , 3-4 , 5 , 15-16 , 17 , 306 , 343 , 401 , 416 ...
Pagina 598
... Dionysian , see Apollonian Dionysius the Areopagite , quoted , 13 discourse , forms of ( see also lan- guage ) , 302-311 disinterestedness ( see also dis- tance ) , 382 distance , esthetic or psychical , 37 , 382-383 , 401-442 , 516 ...
... Dionysian , see Apollonian Dionysius the Areopagite , quoted , 13 discourse , forms of ( see also lan- guage ) , 302-311 disinterestedness ( see also dis- tance ) , 382 distance , esthetic or psychical , 37 , 382-383 , 401-442 , 516 ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words