A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 401
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 401
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 410
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words